PRENSA (selección NO ACTUALIZADA)
KINDERWUNSCH
2015. "Presencia de México en PHotoEspaña". Artículo por Germaine Gómez Haro. Suplemento Arte y Pensamiento, La Joranda Semanal, periódico La Jornada. México 26 de julio.
2015. "Cuerpo de juegos". Blog Círculo de Bellas Artes. Madrid, España. 22 de junio.
2015. "Crónica de PHotoEspaña". La mirada del Polifemo. Madrid, España.9 de junio.
2015. "Fotografía Latinoamericana es protagonista en PHotoEspaña 2015". Siglo 21. México. 29 de mayo.
2015. "Ana Casas Broda". Stadtzauber Magazine. Alemania. Mayo-Junio.
2014. Reseña en periódico, “Photo Exhibit Brings Motherhood to Light”, Chicago Tribune, Mayo.
2014.“10 Opening Exhibitions to Watch”, Mutual Art, Abril.
2014. El cuerpo, parte esencial de la historia del ser humano. Merry MacMasters. Periódico La Jornada.México, 27 de enero.
2014. Presentan el libro Kinderwunsch, de Ana Casas Broda. Periódico el Rotativo. México. 25 de enero.
2014. El cuerpo, parte esencial de la historia del ser humano. Merry MacMasters. Periódico La Jornada. 9 de enero.
2014. Kinderwunsch. Sonia Ávila. Periódico Excelsior. 1 de enero.
2013. Jesús Pacheco. Kinderwunsch. La maternidad al desnudo. Suplemento Forma y Fondo, periódico REFORMA. 15 de diciembre, 2013.
2013. Magali Tercero. Suplemento Laberinto, periódico MILENIO. 7 de diciembre, 2013.
2013. La fotógrafa Ana Casas Broda autorretrata su tránsito "lento y tortuoso" hacia la maternidad. Artículo sobre el libro Kinderwunsch. 20 minutos.es
http://www.20minutos.es/noticia/1979699/0/ana-casas-broda/maternidad/fotografia/#xtor=AD-15&xts=467263
2013. El Universal.
Sonia Ávila "Llevan la fotografía artística a Polanco" Galería Patricia Conde
Periódico Reforma, Octubre 2010.
Exposición en la Galería Patricia Conde. Periódico Excelsior, 21 de octubre, 2010.
José Antonio Rodríguez. “Cuerpo soporte”. Exposición Galería Patricia Conde
Periódico El Financiero. Octubre 2010.
3COLOR - Kortárs mexikói fotóművészet / Contemporary mexican photography.
Kultura Hu, Hungría, Junio 2010.
CUADERNOS DE DIETA
Defecto común/identidades en disolución. Curador José Antonio Rodríguez. Colectiva de fotografía, video e instalación. Museo Universitario del Chopo. México D.F. Milenio, junio 2010.
ÁLBUM
Exposición Centro de la Imagen, México, 2001-2002
Cuauhtemoc Medina, “Una línea ondulada”. El ojo breve. Reforma, diciembre, 2001.
Blanca González Rosas, “Álbum”. Revista proceso, 2 de diciembre 2001.
Edgardo Kim Ganado, “Álbumes”. Mileno, 6 diciembre, 2001.
María Luisa López, “La fotografía,conexión enigmática con la identidad”. Milenio diciembre 2001.
José Nava. El Financiero, 24 de diciembre, 2001.
Angélica Abelleyra, “Ana Casas Broda:Me miro para olvidarme”. La Jornada Semanal, 2001.
Exposición Festival PhotoEspaña, Madrid, 2002
Tania Pardo, “Lo doméstico: territorio (des)conocido”. Revista Lápiz n. 192. Madrid España, abril 2003.
Richard Vine, “In her Image. Report from Madrid”. Art in America. Estados Unidos, Noviembre 2002.
Manuel Falces, “Mujeres y cómplices”. Suplemento Babelia, El País, España, 22 de junio, 2002.
Blanca Ruiz. Reforma, México, 10 de junio 2002.
Mariano Navarro, “Tres mujeres, tres retratos”. El Cultural, México, 26 de junio, 2002.
Artículo en Cambio 16. 24 de junio, 2002.
Ruth Toledano, “Un hilo femenino”. El País, 26 de julio, 2002.
“Femmes au bord de l´émancipation”. La Tribune. Francia, 24 de junio, 2002.
Periódico Alerta, Madrid, España, 13 de junio 2002.
Otras sedes
Tania Costa. El Faro. Murcia, España, 12 de diciembre, 2002.
Pepa García. La Verdad, España, 4 de enero, 2003.
Nazarena Balaguer. La Opinión. España, 15 de Enero,2003.
Trifón Abad. La verdad, España, 15 de enero, 2003.
La Opinión. Murcia, España, 15 de enero, 2003.
D. Ortiz. El Faro, Murcia, España, 15 de enero, 2003.
Miradas y Visiones/Canal de Isabel II. Madrid, España,1994
Juan Manuel Bonet “En favor de la Imagen pura”. ABC de las Artes I. España.
José Luis Gallero, “Singulares territorios”. ABC de las Artes II, España.
Suplemento Babelia, El País, España. 24 de enero 1994
Jesús Micó, “La realidad bajo mínimos”. Diario de Cádiz, España. 20 de febrero 1994
Manuel Falces, “Miradas como ventanas”. El País, España. 31 de enero 1994
Trabajos en colaboración con Marcos Kurticsz
Maquiladora de estricta vigilancia/1994. Calería El Sur, UAM Xochimilco.
Lorna Scott Fox , “Sombras. Centro de la Imagen”. Reforma, México, 1994.
Lorna Scott Fox , “Sombras. Centro de la Imagen”. Revista de Mexicana de Aviación. México, 1994.
Viena 1988-1992
David Huerta, “El torbellino de los Cuerpos: Ana Casas, Oweena Fogarty y Eugenia Vargas”. Luna Córnea, El cuerpo, num. 4, Centro de la Imagen, Consejo Nacional para la Cultura y las Artes,1994.
Jorge Juanes, “Encuentros a la intemperie”. Texto para el catálogo. Publicado en La Fotografía, Barcelona, España, num. 35., 1993
Mónica Mayer, “Los encuentros de Ana Casas”. El Universal, México, 26 de diciembre, 1993.
Eduardo Vázquez. Revista Viceversa, núm. 3, 1993. México D.F.
Macario Matus, “Retrato de familia”. Excelsior, 1992.
Angélica Tellez, “Historias íntimas sobre mujeres: fotografías de Ana Casas Broda”.
El Nacional, 1 de febrero, 1993.
Angélica Tellez, “Fotografías de Ana Casas Broda”. El Nacional, 21 de enero, 1993.
Jorge Juanes/Las interrogaciones de Ana Casas Broda. Portafolio en el suplemento Unicornio. Por Esto, México, 17 de julio, 1994.
“Viena 1988-1992”. Ensayo Fotográfico. Portafolio en el suplemento cultural del periódico Reforma, 5 de diciembre, 1993.
Clara Konzevik, “Ana Casas”. Polyester, num. 5. México, primavera 1993.
Magali Tercero. Artes de México, 1993.
Peter Nosiska. Kurier, Austria, 1994.
Peter Nosiska, “Realität oder Abstractionen, Grenzen der Fotografie?”. Kurier, Austria, 1994.
“Bis zu den Wurzeln in Granada”. Galerie Fotohof. Kultur. Austria, 2 Marzo, 1994.
Photograper Magazine, num. 18, Grecia, 1992.
RESUME IN BRIEF
Born in Granada, Spain in 1965 to an Austrian mother and a Spanish father, Ana spent her early years traveling back and forth between the two countries. In 1974 she moved to Mexico City with her mother, where she studied photography, painting and history, and dedicated herself to photography beginning in 1983. Between 1989 and 1993 she lived in Vienna and Madrid. She returned to Mexico in 1993, though until her grandmother's death in 2002 she spent long periods caring for her in Vienna.
Since 1991 she has exhibited individually in Spain, Austria, Germany and Mexico, as well as participating in group exhibitions in various countries. She has received various accolades as well as financial support for her projects in Mexico and Austria. From 2007 to 2011 she was a member of the National System of Art Creators through the Mexican National Fund for Culture and the Arts (FONCA).
For 14 years she worked on the project Album, beginning with a series of images with her grandmother and later developing a book and exhibition that included texts, diary entries, images of her ancestors as well as of her grandmother, audio, video, etc. In 2000 the Spanish publishing house Mestizo published Album as a book, which was later presented as a solo exhibition in Mexico at Centro de la Imagen and at Casas de América, in the Festival PHotoEspaña 2002, Madrid, Spain and other venues. Album was also recently presented as solo show at the VISIONA festival Narrativas Domésticas, Curated by Pedro Vicente, including the work from: Richard Billingham, Ana Casas Broda, Trish Morrisey, Ramón Día, Virginia Esta, Paco Gómez. November 2013- February 2014. Huesca, Spain.
Ana Casas worked on the project Kinderwunsch from 2006 to 2013. In 2013 Kinderwunsch was published as a book, in which texts and images construct a narrative, by the Spanish publisher La Fábrica in collaboration with Fundación Televisa, Mexican National Fund for Culture and the Arts (FONCA), the Austrian Department of Culture and Hydra, Mexico. The book was published in three languages: Spanish, English and German. May 2014 Kinderwunsch received the second award to the best Art book published in 2013 by the Ministerio de Educación, Cultura y Deporte in Spain. Kinderwunsch will be also shown as a solo show at festival PHotoEspaña 2015.
Kinderwunsch has been shown as solo exhibition at: Sala Picasso, Círculo de Bellas Artes, PHotoEspaña festival, Madrid, Spain, from June 1st to August 30th; 2014. Kinderwunsch. Galería 184. Ensenada, Baja California, México. October 2014-February 2015;. Kinderwunsch. Centre des Beaux-Arts, BOZAR Festival, Brussels, Belgium. June 17-July 7, 2014.
From June to July 2016 the solo exhibition Kinderwunsch will be show at Fotohof, Salzburg, Austria, and included in the group show Familia. Modelo para desarmar. by Sub, cooperativa de fotógrafos. Galería ArtexArte. Buenos Aires, Argentina.March 19 to al June 20, 2016.
Kinderwunsch has been shown in group exhibitions such as: 2013. HOME TRUTHS - PHOTOGRAPHY, MOTHERHOOD AND IDENTITY. Exhibition and book curated by Susan Bright. It includes work from: Janine Antoni, Elinor Carucci, Ana Casas Broda, Fred Huning, Leigh LeDare, Tierney Gearon, Miyako Ishiuchi, Ann Fessler, Annu Palakunnathu Matthew, Katie Murray and Hanna Putz. Photographers Gallery, London, UK, October 11th- January 4th, 2014; HOME TRUTHS - PHOTOGRAPHY, MOTHERHOOD AND IDENTITY, Museum of Contemporary Photography in Chicago. April 18 – July 13, 2014; HOME TRUTHS - PHOTOGRAPHY, MOTHERHOOD AND IDENTITY. Belfast Exposed. Ireland. October 20 – December 20, 2014; BIOGRAFIE - ICH. FOTOGALERIE WIEN. Artists: Ana Casas Broda, Christoph Burstcher, HH Capor, Krisztina Fazekas-Kielbassa, Brigitte Konyen, Anja Manfredi, Rudolf Strobl, Phillip Warnell. Vienna, Austria. May 12 to June 7, 2014.
In addition to developing her own body of photographic work, since 1990 she has been dedicated to organizing photography-related activities, such as seminars, workshops, meetings, conferences, etc. In 1994, she founded the workshop department of Centro de la Imagen, which was under her coordination until 2008, building a program with over three hundred workshops per year at every level of learning, from beginning photography to specialized seminars in various fields.
Since 2007 to 2015 Ana was in charge of designing the academic program for the Contemporary Photography Seminar at Centro de la Imagen and has also mentored students in collaboration with Alejandro Castellanos, Gerardo Montiel Klint, Agustín Estrada, Beatriz Novaro, among many others.
In 2012, Ana and Gerardo Montiel Klint and Gabriela González Reyes co-founded Hydra, a platform created to generate photography-related projects. www.hydra.lat
At Hydra she worked on the selection and edition from the book and show "Reveal and detonate. Photography in México ca. 2015", published by Centro de la Imagen and RM publishing house, and produced as a show by Fundación Televisa at PHotoEspaña festival at Centro Centro Cibeles from June 2 to August 30th, 2015, and at Centaro Nacional de las Artes, Mexico City, from October 2015 to January 2016. In June 2015 Ana Casas was member of the jury of the PHotoEspaña Award for the Best Photobook of the year and has invited as part of the advisors committee from the publishing house La Fábrica, Spain. She has worked on the edition and publication of several photobooks, such as: Moisés, from Mariela Sancari, Casita de Turrón, by Roberto Tondopó, Nueva Era, by José Luis Cuevas among others.
Kinderwunsch is presented as part of the show "EXPOSED / EXPUESTA. Mexican Contemporary Photography", part of "INFOCUS / ENFOQUE" at The Light Factory, Charlote, North Carolina, United States. July to October 2017.
Since 2013 she works on the educational program at HYDRA + FOTOGRAFÍA, in which she has made the program INCUBADORA DE FOTOLIBROS, in which two tutors and between 8 and 12 international editors, designers, acompanie a group of 17 authors in the development of their photobook projects. INCUBADORA DE FOTOLIBROS has been made in 2016 and 2017.
In 2018 she presents the solo show KINDERWUNSCCH at the festival ENFOQUE, at the Museo Regional de Querétaro.